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Section 25
1. Many artists believe that successful imitation, far from being symptomatic of a lack of ________, is the first step in learning to be creative.
(A) elegance
(B) resolution
(C) goodness
(D) originality
(E) sympathy
2. As serious as she is about the bullfight, she does not allow respect to ________ her sense of whimsy when painting it.
(A) inspire
(B) provoke
(C) suppress
(D) attack
(E) satisfy
3. No one is ________ about Stephens; he inspires either uncritical adulation or profound ________ in those who work for him.
(A) neutral.. antipathy
(B) infuriated.. aversion
(C) worried.. anxiety
(D) enthusiastic.. veneration
(E) apprehensive.. consternation
4. Before about 1960, virtually all accounts of evolution assumed most adaptation to be a product of selection at the level of populations; recent studies of evolution, however, have found no ________ this ________ view of selection.
(A) departures from... controversial
(B) basis for.. pervasive
(C) bias toward.. unchallenged
(D) precursors of.. innovative
(E) criticisms of.. renowned
5. The new biological psychiatry does not deny the contributing role of psychological factors in mental illnesses, but posits that these factors may act as a catalyst on existing physiological conditions and ________ such illnesses.
(A) disguise
(B) impede
(C) constrain
(D) precipitate
(E) consummate
6. During periods of social and cultural stability, many art academies are so firmly controlled by ________ that all real creative work must be done by the ________ .
(A) dogmatists.. disenfranchised
(B) managers.. reactionaries
(C) reformers.. dissatisfied
(D) imposters.. academicians
(E) specialists.. elite
7. The First World War began in a context of jargon and verbal delicacy and continued in a cloud of ________ as ________ as language and literature, skillfully used, could make it.
(A) circumlocution.. literal
(B) cliche.. lucid
(C) euphemism.. impenetrable
(D) particularity.. deliberate
(E) subjectivity.. enthralling
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